The year is 1958, when a reasonably successful R&B singer goes into the studio with an all-star band and puts a dozen songs from the world repertoire of a blues legend on the tape. The old-fashioned style in LaVern Baker's homage to Bessie Smith might seem a little strange in the midst of the tension of popular R&B numbers and the already started Motown hit machine, but found a lot of love from the audience. And for good reasons! Already the opening piece "Gimme A Pigfoot" lives with its snapping bass lines a dance house atmosphere of the 20s.

Paul Chambers Quintet is the fourth studio album by American jazz bassist Paul Chambers recorded in 1957 and released on the Blue Note label in April 1958.

The legendary 101 Strings Orchestra presents a set of country-western classics on Wagons West! The collection comes courtesy of Countdown Media's restoration of the master tapes from renowned legacy label, Ashire/Somerset.

Decca Music Group presents this legacy recording of Israeli piano duo Bracha Eden and Alexander Tamir as part of a series of high-fidelity digital transfers covering their illustrious career!

Britain's foremost chansonnier and song stylist, Barb Jungr, is one of the country's finest interpreters of contemporary song. Always original and inventive, Jungr has drawn comparisons with Nina Simone and Peggy Lee.

Perfect Alibi is a diverse mix of modern classics, featuring special guest John Martyn. Presenting an extensive variety of songs that demonstrate Claire's stunning vocal talents, Perfect Alibi includes tracks written by Phoebe Snow, Todd Rundgren, Jimi Hendrix, Laura Nyro, Julia Fordham and John Martyn. This album saw Claire Martin lead the jazz world into pop-crossover territory before Norah Jones and Madeleine Peyroux made this style an accepted genre featuring Jimi Hendrix's 'Up From The Skies', the Stylistics' 'People Make The World Go Round', Donny Hathaway's 'More Than You'll Ever Know', and Laura Nyro's 'He's A Runner'.

The recording of the third book of madrigals by Biagio Pesciolini, from Prato, is the outcome of a research on the figure of this composer that had begun in 2015. From this investigation, it emerged that no work of his has been published in modern notation until now. So the project started with a study on the sources and with the transcription of the third book of his madrigals, the only one that has been preserved in its entirety to this day.

Sergio Zigiotti on mandolin and Fabiano Merlante on guitar.The Duo Zigiotti Merlante on this album are performing a series of nineteenth-century pieces of rare charm on various vintage instruments within a compendium of melodies inspired by amorous, operatic, exotic and clever themes.The three composers, Carlo Munier, Enrico Marucelli and Luigi Mozzani, were leading figures of the Italian scene between the late nineteenth and early twentieth centuries both as virtuous and multi-instrumental mandolinists, teachers, directors or members of famous plectrum ensembles.

The splendour and cultural heritage of Humanism contain an intricate network of intuitions and revolutions – that are often local or have developed in geographically or politically well defined areas – of culture and of its representation in society: an unlimited theatricalisation of reality, in which each gesture, symbol and behaviour is transformed into an active component of the greatness and beauty of the Court and of its main actuators.In a picturesque fresco of this rich era - musical heir of the Middle Ages…

The German composer Johann Adolf Hasse was born in Bergedorf on 25 March 1699 and died in Venice on 23 December 1783. He chose Italy as his adopted country: there he was nicknamed the dear Saxon. He was a pupil of Nicola Porpor and Alessandro Scarlatti, from whom he learned the typical composition style of the Neapolitan School.

The “Trasfigurazioni” project stems from the wish to offer a form that breaks away from tradition, is innovative and differs from the customary flute-harp duo. It is a work of constant research and repertoire expansion that has been developed for several years, during which our duo commissioned and performed pieces by young Italian composers.

Amy Grant provides one of the most aesthetically pleasing voices of the Christmas season, and like her other holiday recordings, Home for Christmas provides a collection of songs that can be enjoyed year after year. This time out, Grant relies primarily on Christian standards, all of which are delivered with honesty and beautiful arrangements.

This Christmas CD includes Estonian, Russian, and Ukrainian unaccompanied liturgical music, hymns, and carols written for the Orthodox Church, which (except for the 1990 piece by Arvo Pärt, and Mykola Leontovych's "A Song of Good Cheer," known in the West as "Carol of the Bells") were suppressed during the Soviet era and have only since then come to light. The music is for the most part written in a late Romantic tonal idiom in the choral tradition of Rimsky-Korsakov, Mussorgsky, and Rachmaninov, and while some pieces have the Slavic gravity associated with Orthodox liturgical music, some have a simpler, folk-like flavor.