Aside from Elgar’s fascinating and obligatory Falstaff composed in 1913 (a Symphonic Study according to the partition, but in reality a symphonic poem in the grand tradition of Strauss— about whom Elgar probably thought when he wrote his masterpiece, and the rather present solo cello cannot help but remind us of Strauss’ Don Quixote, composed sixteen years earlier), the album distinguishes itself by a few melodies with orchestra from the same Elgar, a repertoire unfortunately too often neglected and yet of breathtaking beauty (we hear, in a pinch, the Sea Pictures performed from time to time, but that’s all folks).

Tasmin Little is the soloist in a premiere recording of Finzi. This exciting release features the premiere recording of Finzi's Concerto for Small Orchestra and Violin.

There are few stranger, more recondite figures in the entire history of music than Nikolai Medtner. Recently he has been rescued from near oblivion by Hamish Milne, Geoffrey Tozer and Marc-Andre Hamelin in particular, who have, in their different ways, cast a penetrating and affectionate light on music which after repeated hearings subtly insinuates itself into the listener’s consciousness.

Walter Smetak was a Swiss cellist, composer, inventor of musical instruments, sculptor and writer who developed his career in Salvador, Brazil, and became an emblematic figure of the Bahian avant-garde and a key part of the cultural climate that made the rise of tropicália possible…