The Essential Michael Jackson is a greatest hits compilation album by American singer Michael Jackson. It was released on July 19, 2005, by Sony Music's catalog division Legacy Recordings as part of The Essential series. The two-disc compilation features thirty-eight hit songs by Michael Jackson, from his days at Motown Records with The Jackson 5 in the late 1960s and early 1970s to his 2001 hit "You Rock My World". On August 26, 2008, The Essential Michael Jackson 3.0 was released in the US as a limited edition containing an additional disc of seven songs performed by Jackson. A re-titled release in the UK was planned on July 6, 2009 as The Hits, but was cancelled upon Jackson's death. As of 2018, the album was certified 4× platinum in the US.

Greatest Hits is the first greatest hits album by American rock band Boston. The album released on June 3, 1997 features songs originally released on both the Epic and MCA labels, as well as three previously unreleased recordings ("Higher Power", "Tell Me", and "The Star-Spangled Banner"). The album was certified double platinum on December 4, 2003 in the US.

Wonderful representative collection of music from England's Renaissance.

Heinrich Schiff gives a fine interpretation of both concertos and has suberb orchestral balance with two of the finest European orchestras – the Amsterdam Concergebouw under Colin Davis and the Dresden Statkapelle under Neville Marinner. Both orchestras have gorgeous sound and both conductors are extremely supportive at every turn.

This collection of vocal and orchestral works by Benjamin Britten span his career, from Two Portraits for string orchestra, written when he was 16, to the solo cantata, Phaedra, one of his last completed works. The music varies in style but even the earliest pieces sound mature and demonstrate the composer's early mastery of his craft. Phaedra, from 1975, sets a selection of monologues from Racine's play that outline the dilemma of the queen who falls in love with her husband's son from an earlier marriage.

After Simon & Garfunkel, one of the most successful duos in pop history, split up in 1970, Art Garfunkel became a solo artist, as well as pursuing an acting career. Garfunkel's pure, high tenor had been one of the most distinctive elements of the duo's music. Songs from a Parent to a Child is a charming collection of folky children's songs performed by Art Garfunkel and such guest musicians as Billy Preston and John Sebastian. The songs are light and sweet enough to appeal to children, yet there's also enough wit and musical substance to keep parents entertained, which is what makes Songs from a Parent to a Child a cut above most kids' records.

As in his previous solo album, The Thunderthief makes it very clear exactly what John Paul Jones brought to Led Zeppelin: driving bass, epic compositions, and impeccable musicianship. It's also very clear what he wasn't doing for Zeppelin: writing the lyrics. The tracks with words on the album are awkward and occasionally laughable, particularly the title track, which sounds suspiciously like a jab at Robert Plant, and "Angry Angry," a presumably mock punk song. Both detract from what is otherwise a very impressive album. Jones plays nearly every instrument on the record and mixes sounds from seemingly every continent and era he could think of.

If Everything Must Go found Manic Street Preachers coping with Richey James' sudden, unexplained disappearance, its follow-up, This Is My Truth Tell Me Yours, finds them putting the tragedy behind them and flourishing as a trio. Wisely, the group builds on the grand sound of Everything Must Go, creating a strangely effective fusion of string-drenched, sweeping arena rock and impassioned, brutally honest punk. Since the band never writes about anything less than major issues, whether it be political or personal, it's appropriate that their music sounds as majestic and overpowering as their pretensions.

Don Felder, the iconic guitarist best known for his time with the Eagles, is set to release his highly anticipated fourth solo album, The Vault (Fifty Years of Music), following the success of American Rock 'n' Roll in 2019. This new album marks a unique milestone in Felder’s storied career, offering a stunning collection of newly recorded versions of songs originally demoed over a span of five decades. From the album opener, “Move On,” a song from 1974, to “I Like the Things You Do,” written as recently as 2023, The Vault offers a comprehensive look at Felder’s rich musical history. The album’s title reflects this expansive journey through time, blending timeless rock anthems with heartfelt ballads in a way that only Felder can. What sets The Vault apart is the incredible roster of musical giants that have come together to lend their talents to the project…

This deluxe reissue boasts the superlative, punchy mono mix, heretofore unavailable on CD, along with ten bonus tracks – seven of which are previously unissued - thereby doubling the length of the original album. The 36-page booklet examines the Seeds’ early career in unprecedented detail, based on fresh research and interviews with the surviving participants. Keyboard player Daryl Hooper - the true architect of the Seeds sound - opened his files to share a swathe of incredible, rarely seen illustrations.
Of the great garage punk bands of the 1960s, some were louder (the Sonics), some were angrier (the Music Machine), and some were trippier (the 13th Floor Elevators), but few seemed like a bad influence on so many levels as the Seeds…

In the history of the blues, there has never been anyone quite like the Howlin' Wolf. Six foot three and close to 300 pounds in his salad days, the Wolf was the primal force of the music spun out to its ultimate conclusion. A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. King certainly more technical expertise, but no one could match him for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.

This is a fairly typical date from the Oscar Peterson Trio (which features the pianist-leader, bassist Ray Brown and drummer Ed Thigpen). Many of the songs on this LP are associated with other musicians (such as "Waltz for Debbie," "This Could Be the Start of Something Big" and "Six and Four") but Peterson has little difficulty swinging them in his usual fashion; a highlight is the original version of Ray Brown's "Gravy Waltz."
On the other hand - bonus album, "West Side Story". boasting the same formation, showcases the trio giving their version of the celebrated Leonard Bernstein score.

Legendary Italian progressive rock band Banco del Mutuo Soccorso released its first LP in 1972 on the label Dischi Ricordi. The lineup included Vittorio Nocenzi (keyboards), Gianni Nocenzi (piano), Francesco Di Giacomo (vocals), Renato d'Angelo (bass), the newly arrived Pierluigi Calderoni (drums), and guitarist Marcello Todara, who would soon be replaced by Rodolfo Maltese. This eponymous release revealed a band with stellar musicianship, an inclination toward the kind of classical-meets-rock blend the Nice had been doing in England, affinities with the burgeoning European prog rock scene, and yet retention of strong connections with a hard-to-define Italian sound, thanks mostly to singer Di Giacomo. Banco del Mutuo Soccorso contained the fast-paced "R.I.P.," a good rock number with a surprisingly lyrical bridge, and "Metamorphosi"…