La Naissance d'Osiris (Osiris birth) was performed in 1754 at the birth of Louis XVI in Fontainebleau. Rameau composed the one-act ballet based on a libretto by Louis de Cahusac, who has already provided the libretto for numerous other works by Rameau (Zoroastre, Anacréon, Les Fêtes de l'hymen et de l'Amour …). The piece depicts the birth of the goddess Osiris and symbolizes the birth of the grandson of Louis XV.

In an effort to arrange the first performance of his Seventh Symphony, Gustav Mahler declared it to be his best work, preponderantly cheerful in character. His younger colleague Schoenberg expressed his admiration for the work, and Webern considered it his favorite Mahler symphony. Nevertheless, it remains the least performed and least written-about symphony of the entire cycle, and has come to be regarded as enigmatic and less successful than its siblings.

With their 27th studio album, the GRAMMY® Award-winning, jazz-pioneering Yellowjackets return to redefine jazz fusion once again. Known for their genre-blending sound and impeccable musicianship, Russell Ferrante, Bob Mintzer, Dane Alderson, and Will Kennedy deliver a fresh yet timeless listening experience that’s as adventurous as ever. Fasten Up bursts with the Yellowjackets’ signature energy, featuring 11 tracks, including 10 originals and a lively cover of Ben Tucker's "Comin' Home Baby," with the standout original "The Lion" showcasing the talents of Raul Midón.

Songs on Bill Medley’s historic album with a historic voice include: “The Dance,” originally recorded by Garth Brooks; “He Stopped Loving Her Today,” originally recorded by George Jones; and “I’m So Lonesome I Could Cry (feat. Shawn Colvin),” originally recorded by Hank Williams.The forthcoming 14-song collection was produced by Fred Mollin (Miley Cyrus, Billy Joel) and features guest artists Michael McDonald, Shawn Colvin, Keb’ Mo’, and Vince Gill, who went on to win that 1985 ACM Top New Male Vocalist of the Year for which Bill was nominated. Mollin shares, “In the heart of Music Row in Nashville, where so many of these songs were originally recorded, the truly iconic voice of Bill Medley sat around with the current class of legendary studio musicians and one song rolled into the next. Live on the floor. The way it was meant to be.”A self-described Pop/Blues artist, Bill shares, “At its core, a pure Country ballad is the blues.”Medley’s upcoming album, Straight From The Heart, will release on February 14, 2025, with multiple songs from the album releasing during the months leading up to the album release.

THE WARNER RECORDINGS 1985-1994 features the first five solo releases recorded by the Rock and Roll Hall of Fame® Inductee and original Van Halen lead vocalist in one comprehensive collection for the very first time. Spanning one of the greatest runs in rock ‘n’ roll history, the set offers lifelong fans and newcomers alike the chance to experience CRAZY FROM THE HEAT [1985], EAT ‘EM AND SMILE [1986], SKYSCRAPER [1988], A LITTLE AIN’T ENOUGH [1991], and YOUR FILTHY LITTLE MOUTH [1994] in succession.

Originally released in November 1971, the album was the first release by the band and featured a continuous piece of music divided into 13 tracks. This impressive conceptual science fiction inspired work, which was interpreted as a commentary on the nuclear arms race, was the band’s first album release and originally appeared in Germany, the country where the British band were formed and were based, enjoying commercial success and building Nektar’s loyal following.This new boxed set edition features a completely new remaster of the original stereo album mix (from the original master tapes), both tracks from the ‘Do You Believe in Magic’ single issued in April 1972, along with new 5.1 Surround Sound and Stereo mixes by Ben Wiseman and a new remaster of ‘The Boston Tapes’ – the recordings made by the band in the USA in 1970 for an abortive album prior to them signing to Bellaphon Records in Germany in 1971. Also included is the complete “official bootleg” recording of a concert in Darmstadt, Germany in November 1971 presented on two CDs. Finally, the set features a region free Blu-ray disc with the new 5.1 & Stereo remixes of the album, along with bonus video footage of the promotional film ‘Good Day’ made in 1971 previously unreleased in full.

Aside from a few minor differences, 1973's Bedside Manners Are Extra is equivalent to Greenslade's debut album, inundated with the same dazzling synthesizer work and atmospheric guitar implementations from Tony Reeves. Andrew McCulloch's drumming is a little more effective the whole album through, balancing out Dave Greenslade's keyboards and Dave Lawson's singing. The songs alternate from vocal to instrumental, beginning with the beautifully lush title track that exploits the ease in which Greenslade applies his techniques. "Pilgrims Progress" picks up the pace, with McCulloch and Greenslade wonderfully playing off one another.

For almost everyone, the entry point for discovering the music of Q Lazzarus came via “Goodbye Horses.” The song first appeared in 1988, via Jonathan Demme’s Married to the Mob, but it would not become fully lodged into popular consciousness until it infamously materialized again in Demme’s The Silence of the Lambs in 1991. “Goodbye Horses” felt like a self-contained universe – dreamlike and wholly unusual, an instant classic that left listeners captivated and curious about the mysterious voice behind it. That voice belonged to Diane Luckey, a uniquely talented artist whose music was ahead of its time and who would ultimately remain largely unrecognized in her lifetime. In conjunction with the release of Aridjis Fuentes’ documentary film Goodbye Horses: The Many Lives of Q Lazzarus, Sacred Bones is releasing a collection of songs that span the entirety of Q’s career, showcasing the different eras of her work and the full breadth of her personality. Released in collaboration with the family of Q, it has the distinction of being her first and only full-length release.

Let’s get one thing out of the way: Basia Bulat doesn’t live in a château. The property at the heart of the songwriter’s new studio album is at once her apartment, her jam-space—and the inside of her head. Basia’s Palace is a place festooned with love and memory, bad wiring; it’s a paradise that comes alive in the wee hours of the night, at a time that’s suited to video games and Leonard Cohen records, when you sit in all that richness, taking in all the mess we inherit. Reuniting with co-producer Mark Lawson, she found herself moving through a dreamworld of whispers, synths and early Eurovision tunes, Cohen’s I’m Your Man and Air’s Moon Safari, her great uncle’s gauzy Maryla Rodowicz LPs. The result feels like an album that was concealed behind the backings of Bulat’s childhood photos—tracks like “My Angel,” where mystery and romance mingle over squelchy synths + drum-machine, with a soaring string arrangement by Drew Jurecka (Dua Lipa, Alvvays), or “Laughter”— which was mixed, like all tracks on the record, by legendary engineer Tucker Martine (Beth Orton, Neko Case, The National)— that takes a quiet domestic scene and sees it build to a deafening sublime.

The fifth full-length album from Trevor Powers' Youth Lagoon, and the second since he reactivated his musical alias with 2023's 'Heaven Is a Junkyard'. Featuring the singles 'Football' and 'Lucy Takes A Picture', it melds glimmering electronica with lightly psychedelic rock songwriting.

The Equinox is the exciting follow-up to PainKiller’s acclaimed 2024 release Samsara, and this time around there is greater variety and flexibility in their approach. Six tracks of various feels and tempi are performed with trademark Painkiller intensity, with jazz, metal, noise, grindcore, techno, and more coming together into the PainKiller gristmill. Inspired by the magickal procedures of Aleister Crowley, this new recording is filled with great melodic, rhythmic, and textural invention. Almost orchestral in its layered complexity, The Equinox is an exhilarating masterwork from three radical and uncompromising forces of nature.

Romanza is the first compilation album by Italian singer Andrea Bocelli, released internationally in 1997. Although a compilation, Romanza is considered Bocelli's breakthrough album and remains his most commercially successful to date, topping charts all across Europe and Latin America. With over 17 million copies sold worldwide, it is the best-selling Italian album of all-time, and also one of the best-selling albums by a recording artist in the 1990s. In 2016, a new special edition of the album was released worldwide to celebrate 20 years since the album's original release. The original album has been remastered and including also three bonus tracks.

And just like that, we have a new A Day To Remember record. And while it hasn't quite come out of the blue, given the release of tantalising single Feedback last May, that was nine months ago so you can imagine that even the most ardent followers waiting for album number eight may have cooled their heels by now. So here it is, a physical-first release you can buy over the counter of a shop or have delivered through your letterbox, well before the album becomes available on streaming platforms on March 21. It’s an innovative way of doing things, on brand for a band who strive to keep things interesting.

In February 2025, Heather Nova releases her 13th album, "Breath and Air" on V2 Records. It's a collection of evocative songs that are rich in melody, lyric and arrangement, with Heather's signature vocal as strong and ethereal as ever. The album enfolds you in a timeless atmosphere; Inviting you to forget everything for a moment, while simultaneously coming home to yourself. Heather wrote the songs on "Breath and Air" over the past 2 years and spent 4 weeks in the Devon countryside (UK) holed up in an enchanting studio with Chris Bond (Ben Howard) putting down the tracks. A lot of the songs are about love and loss and longing. Repeating themes through my life - the search for wholeness, healing and meaning. I keep coming back and looking at it from different angles, through time and through music. It's an ongoing journey that shows no sign of reaching a destination. My songs are documents of that journey"

Shortly before the turn of the century, spontaneous jam sessions between friends laid the foundation for an extraordinary 25-year career. Killswitch Engage from Western Massachusetts - Adam Dutkiewicz (guitar), Joel Stroetzel (guitar), Mike D'Antonio (bass), Justin Foley (drums) and Jesse Leach (vocals) - were characterized by their technical precision and unbridled energy on stage. They combined powerful riffs with rousing songs and appealed to headbangers, hardcore fans and broken hearts alike.