This third volume of the collected original compositions of David “Dawg” Grisman is comprised of works written between 1982 and 1991, compiled chronologically in the order in which they were written. These performances were selected by the composer and include 10 previously unissued tracks featuring David with Svend Asmussen, Hal Blaine, Jerry Douglas, Stephane Grappelli, Tony Rice, Martin Taylor, Frank Vignola, Denny Zeitlin, and many others. All the tracks have been re-mastered in the high-definition (24 bit, 96 khz) format, affording listeners the unique opportunity to enjoy this music in a sonically superior format.

This second volume of the collected original compositions of David “Dawg” Grisman is comprised of works written between 1963 and 1975, compiled chronologically in the order in which they were written. These performances were selected by the composer and include 10 previously unissued tracks featuring David with Hal Blaine, Ray Brown, Jethro Burns, Tommy Emmanuel, Stephane Grappelli, Tony Rice, John Sebastian, Martin Taylor, Frank Vignola, Denny Zeitlin, and many others.

This first volume of the collected original compositions of David “Dawg” Grisman is comprised of works written between 1963 and 1975, compiled chronologically in the order in which they were written. These performances were selected by the composer and include eight previously unissued tracks featuring David with Vassar Clements, Jerry Garcia, Bill Keith, Tony Rice, Frank Vignola, Clarence White and many others. In a March 1996 concert review, a Chicago Tribune critic described Grisman's "dawg" music as being among "the most important innovations in American music. By blending the exuberant spirit of bluegrass, the inspired melodies of classic American pop, the improvisatory techniques of instrumental jazz and even the plaintive gestures of turn of the century Klezmer, David Grisman has created a distinctive form of American music and lifted it to the level of high art."

On the surface, The Great Apocalypse is exactly what you’d expect from Insania,1 Sweden’s long-running Europower mongers.

Joe Armon-Jones is best known as the electric heart of Ezra Collective, the Mercury Prize–winning band that has stretched the shape of British jazz with dub, hip-hop, grime, Afrobeat and a sense of ecstatic possibility.

Set in the pressure cooker of fresh adulthood, Jahnah Camille’s defiant new EP My sunny oath! is a guitar-based grab at self-acceptance.

When Ella Hanshaw (1934-2020) first picked up the guitar as a 12-year-old girl in Procious, West Virginia, she dreamed of being a country star.

Metallica is continuing to release remasters of their catalog, with the latest being the 5x-platinum Load, available everywhere on June 13th. Produced by Bob Rock, Load is the follow-up to Metallica, the best-selling album of the Soundscan era. Load contains fan favorites including “Until It Sleeps,” “Hero of the Day,” “King Nothing,” and, for the first time ever, the original extended version of “The Outlaw Torn,” which was originally edited due to manufacturing limits.

Kenneth Daniel Ball (22 May 1930– 7 March 2013) was an English jazz musician, best known as the bandleader, lead trumpet player and vocalist in Kenny Ball and His Jazzmen.

Excursions is the debut jazz album of Kyle Broadbooks. While Broadbooks has recorded on others’ sessions before, Excursions is the first to showcase his original jazz compositions. Inspired by many jazz albums of the ‘50s, ‘60s, and ‘70s, Excursions takes the listener on many journeys encapsulating different moods and feels.

UK Salford band The Ting Tings released their first catalogue of hits in 2008, with global success taking them on an immediate 6-year world tour.

"My career has been a lesson in patience," says Annahstasia, having cultivated her musical language between blazes of intimacy and independence across different lives, locations, and iterations, loves lost and gained, expectations evaded and recreated.

"Bernard’s reading of Mahler’s Symphony No. 9 stands apart in its remarkable textural transparency.

Taken as the third single from Anushka’s forthcoming album Ancestry, My Mother’s Mother comes as a two track single including the original album track accompanied by a remix from South African/Mozambiquan wunderkind, Thakzin.

Load is the sixth studio album by Metallica, originally released in June 1996, and is the band's longest studio album with a playing time of 79 minutes.