Load is the sixth studio album by Metallica, originally released in June 1996, and is the band's longest studio album with a playing time of 79 minutes.

From the mid-1790s to the early 1820s Johann Simon Mayr wrote just under 70 operas, a good number of which went on to triumph across Europe.

Although it is my second album, it feels like this is the first time that my true development as a player, composer, and bandleader will be on display.

The Bug Club are back, again, for their annual appointment at the garage rock makers’ market, where they’re flogging yet another pedigree record.

Jazz guitar virtuoso Pasquale Grasso and his trio celebrate the release of Be-Bop! at Dizzy’s Club at Jazz at Lincoln Center on Monday, August 22. Performances are at 7:30 and 9:30PM. Joining Grasso are bassist Ari Roland and drummer Keith Balla.

Harry Springer may compose, produce and perform all of Moon Walker's music in his bedroom, but the electrifying and uniquely eclectic sound undeniably feels more fitting for a stadium.

The young violinist Emilija Kortus not only presents a sophisticated dialogue between old and contemporary works, but also documents her personal and intense connection to an exceptionally valuable instrument: a violin by Francesco Ruggeri from the year 1680.

On the new James Marriott album, he goes pop. At times, this comes off really well and lyrically, this album is great. I’ve also definitely warmed to his vocals in recent years.

In This Short Life is diverse, soulful, and deeply personal celebration of American sound through art song.

In the last years of his life, Johann Sebastian Bach brought together some of his most profound musical reflections in the collection known as the Leipzig Chorales - a series of 18 organ works that combine spiritual depth, contrapuntal mastery and expressive richness.

The Booze Brothers, featuring Mark Knopfler & Dave Edmunds, is the second album released by Brewers Droop, an English blues band. Although most of the tracks were recorded in 1973 the album was only released in 1989 when it was discovered that the album had involved Dave Edmunds and the line-up had included Pick Withers and Mark Knopfler, later of Dire Straits. Ron Watts, the founder of the band, later in the '70s became a punk rock promoter at venues such as 100 Club. Steve Darrington continued as a professional musician, appearing on over 50 albums, and is the organizer of the Swanage Blues Festival.

A dark and devastating concept record about real life events, it is a spiritual successor to its predecessor, and a huge leap forward on every conceivable level.

À travers ce nouveau projet, Vanille fusionne la chanson française avec des rythmes latinos, le blues africain et la bossa nova, influencée par des géants tels que Brel et Caetano Veloso. L’album, conçu avec le producteur Alex de Synapson, reflète une pop organique et vibrante, une musique où l’alchimie entre guitare-voix et électro accentue la lumière. "Regarde", premier single du même nom, est une ode à l'amour durable et au couple qui traverse le temps. Montmartre, producteur et remixer aux millions de streams, a revisité de manière audacieuse ce titre. Vanille est un véritable rayon de lumière, comme le prouve le succès fulgurant de sa chanson « Suivre le soleil » aux 50 millions d’écoutes.

Half-speed remaster at Abbey Road Studios. Audio sourced from high resolution digital transfers of the stereo master mixes (from the original studio recordings). Original album art reproduced in detail. Double-sided printed inner sleeve with lyrics.

Composed, performed and produced fully by the artist herself, the new album by Cosey Fanni Tutti is equal parts abstract electronic experimentation and rhythmic propulsion, finds Jon Buckland. It has been six years since Cosey Fanni Tutti’s last solo outing (and 42 since her first). This thinly veiled sequel, 2t2, continues in much the same fertile vein as her post-Throbbing Gristle output. At the same time, it also appears a little more guarded, as if the candid moments in her early days have left her more cautious. Split into two distinct halves, 2t2 combines a back half of exploratory electronics with the more rhythmic, Chris & Cosey-esque opening tracks. Formed of mournful cornet cutting through slippery drones and pearlescent pads, the subtle centrepiece, ‘Stolen Time’, perfectly bridges these two worlds. Not that the mood throughout the record is wallowing in despondency.