Fragile Records in association with Esoteric Recordings are pleased to announce the release of a new 4-disc clamshell box set An Evening of Yes Music Plus, the classic live recording by Anderson, Bruford, Wakeman, Howe. At the close of the 1980s, fans of Progressive rock were delighted and surprised to learn that former members of Yes, namely Jon Anderson, Bill Bruford, Rick Wakeman and Steve Howe were reuniting to record a studio album and to tour the World. The resulting self-titled studio album was originally issued on Arista Records in 1989 and was a global hit. This release was followed by hugely successful world tour. A concert at the Shoreline Amphitheatre in Mountain View, California was captured both on video and in sound resulting in both a double CD and a long form video in 1993. The set features classic Yes material alongside live renditions of material from the ABWH self-titled album. This new remastered edition features the entire concert on two CDs, and also includes the full concert video on a region free DVD. Also included is an additional region free DVD, ‘In the Big Dream’, featuring promotional videos and interviews.

Jacintha is a Singaporean jazz singer/torch singer and stage actress who has been well-known in parts of the Asia-Pacific region since the '80s and has been increasing her exposure in North America since the late '90s. Jacintha has never been the type of jazz artist who goes out of her way to be abstract, difficult, or complicated; her work has been quite accessible and easy to absorb, drawing on direct or indirect influences that have included Julie London and Shirley Horn as well as Brazilian star Astrud Gilberto. Jacintha has long been fluent in English, which is widely spoken in Singapore and is one of its four official languages along with Malay, Mandarin Chinese (as opposed to Cantonese Chinese), and Tamil.

For its third ECM outing, the Marcin Wasilewski Trio expands the precious spaces delineated to such patient effect on TRIO and January. A pianist of uncommon insight, Wasilewski brings out the minimal best in bassist Slawomir Kurkiewicz and drummer Michal Miskiewicz, who in turn inspire reflections on those keys that might not otherwise reveal themselves in solitude.
Faithful represents a new direction. It favors protracted treatments and heightened sensitivity. The trio plays as it breathes, knowing just when to pause before moving on. Particularly well recorded, with just the right balance of intimacy and the infinity beyond it, it lives in soft focus. If you wish to know to whom they are being faithful, you need only turn the CD over and look at your reflection.

»Ich hatte mir eigentlich vorgenommen, ein Album ohne das Thema Liebe zu machen. Ich bin kläglich daran gescheitert. Ich kann wohl nicht anders. ›Nur Liebe‹ bewegt mein Herz.«

The Very Best of Marianne Faithfull' is a particularly strong collection of Marianne's earliest recordings made for Decca between 1964 to 1968. This album contains every one of her singles which made the charts both in Britain and America during those fruitful four years.

As he proved with his recording of A London Symphony – Record of the Year, Gramophone Awards 2001 – Richard Hickox was a Vaughan Williams specialist. This reissue of an original 1995 recording features such lesser known works from the composer as Household Music and Flos Campi. Alternating between the passionate and the tortured, between long-breathed lyricism and moments of obvious pain, Flos Campi has never really found itself in the mainstream concert repertoire, maybe because of its title, misleadingly suggesting jolly music. Household Music has equally suffered from its title, rather an off-hand one for pieces that at their best show the composer’s brilliance as an arranger. Riders to the Sea, however, is a masterpiece, seen as the finest as well as the most concentrated of Vaughan Williams’s works for the stage, conjuring up multiple layers of emotional response to the natural world, a losing battle with the sea, and the God which rules it, for the islanders in the North Atlantic.

20 Greatest Hits contains every one of Loretta Lynn and Conway Twitty's hits from the '70s, including the number one singles "After the Fire Is Gone," "Lead Me On," "Louisian Woman, Mississippi Man," "As Soon As I Hang Up the Phone," and "Feelins'." In addition to the obivious hit singles, there are a number of lesser-known album tracks which are, with only a few exceptions, the equal of the hits. In short, 20 Greatest Hits presents the very best of perhaps of the greatest country duet team of the '70s and is a necessary addition to any country record collection.

Classic recordings of Tchaikovsky's orchestral music, focused around the symphonies, ballet suites, concertos and overtures. Recordings from 1962-1992, from Moscow Philharmonic Orchestra, Pentatone, Musical Concepts, Melodiya and Mercury.

This 1973 recording is a great collection of music from Bread, the popular 1970's band best known for their mellow, smooth, melodic and often mournful tunes. Many of the classic Bread tunes included in this set live on through soft rock stations everywhere. Lead singer David Gates crooned his way into America's heart, and starting with "Make It With You" quickly spun off hits like "Everything I Own," "Diary," "Baby I'm A Want You," "It Don't Matter To Me" and "If." At times, their songs had a more upbeat feel as with "Mother Freedom," but they always retain that same soothing blend of soulful lyrics and gentle music. This album covers all the early hits and more delivered with a deceptively breezy tone by one of pop's purest vocalists. Audio Fidelity reassembled all the original masters of the tracks that appeared on the album release rather than work from the compiled "Best of…" master thus giving the recording a completely fresh, updated sound.

Present Arms is the second album by UB40 and was released in 1981. It spent 38 weeks on the UK album charts, reaching number 2. An album of original songs, it spawned two top 20 hits in 'One in Ten' (number 7) and 'Don't Let It Pass You By/Don't Slow Down' (16). As with Signing Off, Present Arms was critically acclaimed and commercially successful in the UK.

The legendary Vocalion label had a chequered history. Formed by the Aeolian Piano Company in 1916, it took the name from their Vocalion Organ Company subsidiary. It was bought by Brunswick in 1925, but when that label was swallowed up by Warner Bros five years later it was licensed, along with Vocalion, to the American Record Corporation. Our selection here from the legendary Vocalion label spans the period from 1926 to 1940, the year before the United States went to war. Though this includes the period of the Great Depression, significant numbers of blues records were sold and Vocalion showcased a piano-based style the music business dubbed 'urban blues', distinguishing it from the Mississippi Delta country blues. With gems from the likes of Leroy Carr, Robert Johnson and Memphis Minnie, there's no doubt the classic Vocalion repertoire on this compilation was, and still is, the cream of the blues crop.

The Small Faces split from manager Don Arden to sign with Andrew Loog Oldham's Immediate label and, in retaliation, Decca and Arden rounded up the remaining recordings the group made for the label and released them as From the Beginning. Appearing just months before their Immediate debut - entitled The Small Faces, just like their first album for Decca - From the Beginning includes early version of "My Way of Giving" and "(Tell Me) Have You Ever Seen Me," and it reprises songs that were on the 1966 Decca LP ("Sha La La La Lee," "What'cha Gonna Do About It"), moves that muddy an already confusing situation. And From the Beginning really doesn't play as a cohesive album by any stretch of the imagination, as it opens with a burst of burgeoning psychedelia then doubles back to the group's early R&B, flaws that matter less as years pass by because, on a track by track basis, there is a lot of wondrous material here…

"ANTIFRAGILE" marks All That Remains' first full length release since 2018.All That Remains have built an unbreakable axis between pit-splitting metal and anthemic melodies. This signature balance has defined the platinum-certified band's output since day one. It's why the quintet- Philip Labonte [lead vocals], Jason Richardson [lead guitar], Mike Martin [rhythm guitar], Anthony Barone [drums], and Matt Deis [bass]-have notched multiple Top 10 Active Rock Radio hits, sold out shows worldwide, and generated over half-a-billion streams. For as far as they've come, they've never lost sight of the cold Massachusetts underground where the guys first cut their teeth, preserving the same spirit without compromise. They've weathered the changing tides of a fickle business, unspeakable tragedy, and all manner of conflict only to come out stronger than ever on the other side.

This Grammy-winning comeback set brought Buddy Guy back to prominence after a long studio hiatus. There are too many clichéd cover choices – "Five Long Years," "Mustang Sally," "Black Night," "There Is Something on Your Mind" – to earn unreserved recommendation, but Guy's frenetic guitar histrionics ably cut through the superstar-heavy proceedings (Eric Clapton, Jeff Beck, and Mark Knopfler all turn up) on the snarling title cut and a handful of others. The Expanded Edition of Damn Right, I've Got the Blues features two bonus tracks, "Doin' What I Like Best" and "Trouble Don't Last."

Land of Dreams (1996). Debut album of the Danish trio Eventyr, who has devloped its own style of sensitive music that blends gentle tones with soft rhythms. The music invites you to a journey into your own fantasy world, and also provides a harmonious backdrop for other activities.
Beautiful Moments (2001). Sometimes you find a moment where time stands still. You forget what you were doing and what you should do. The present suddenly fills your mind and senses in a surprising way. We dedicate this CD to these beautiful moments, and hope you too will find one Beautiful Moment or two…