This penultimate collection in Steven Devine's critically-acclaimed survey of the complete harpsichord works of Bach's favourite student, Johann Ludwig Krebs, features five of the six 'Galanterie-Suiten' [Galant Suites]. These works, although set in the classic framework of the Baroque Suite, actually feature the most up-to-date stylist features including, dramatic unison writing, charming "cantabile" melodies and a wide range of stylish dance forms.

Jeff Goldblum & The Mildred Snitzer Orchestra are set to release their new album, Still Blooming, on 25th April 2025. Fresh from his starring roles in Kaos and the hit Wicked movie, Goldblum returns to the piano, joined by guest vocalists Ariana Grande, Cynthia Erivo, Scarlett Johansson and Maiya Sykes. The album showcases reimagined jazz standards alongside original compositions, highlighting Goldblum’s enduring passion for jazz.

This album will raise eyebrows. After all, didn't Johnny Hates Jazz have only one hit song? Forget the band's brief popularity on the American charts. Johnny Hates Jazz was a vastly underrated group, a British pop act whose handsome looks blinded many to the talent bubbling underneath the surface. Most of the record consists of tracks from the band's debut LP, Turn Back the Clock, and their lesser-known follow-up, Tall Stories. Tall Stories was recorded after vocalist Clark Datchler left the group, replaced by Phil Thornalley. Since the long-deleted Tall Stories is hard to find, this might be the only opportunity for fans to hear songs from it. Three of them are collected here: "Let Me Change Your Mind," "Last to Know," and "Fool's Gold." Sounding no different than anything on Turn Back the Clock, these tracks prove that Johnny Hates Jazz didn't lose their knack for soulful, danceable hooks after Datchler's departure. Given that Turn Back the Clock has no filler, the songs taken from that album shouldn't been seen as providing the complete picture.

Remembered today almost exclusively for the character piece for piano, Rustle of Spring, Norwegian composer Christian Sinding is one of music's unjustly neglected figures, and his rewarding music deserves a comprehensive revival. Thanks to the German label CPO, Sinding's three violin concertos have been handsomely recorded by violinist Andrej Bielow and the NDR Radiophilharmonie Hannover, conducted by Frank Beermann, along with a handful of shorter pieces to fill out this double-disc package. Sinding's Romantic style is quite approachable and is reminiscent by turns of Brahms and Tchaikovsky, as well as of his compatriot, Grieg, so audiences will immediately embrace these charming works for their abundant melodies and elegant writing for the violin. Bielow's playing is intensely lyrical and penetrating, with a tone that is sometimes almost reedy in coloration, which distinguishes his lines against the accompaniment. The orchestra is warm, vibrant, and smooth, providing an ideal contrast to set the violin in high relief. CPO's recording is clear and detailed, with a front and center placement of the soloist. But because the frequency range is extremely wide and best suited to high-end audio systems, listeners with conventional CD players may have to adjust the volume level to find a comfortable setting.

Simple Minds release 'Live in the City of Diamonds', a live album of all their hits which was recorded in Amsterdam's Ziggo Dome in 2024.

If you are a celebrated progressive rock musician who has produced dozens of albums, how do you make an album that is different to what is usually expected? One answer is to work with musicians who also have decades of experience and worldwide recognition, plant a few seeds, then stand back and see what happens. For the Cosmic Cathedral project and their debut album 'Deep Water', this is exactly what Neal Morse did, joining up with Chester Thompson (Genesis), Phil Keaggy & Byron House. Much of the album was created from jam sessions where Morse's long-time audio partner Jerry Guidroz put the best parts together, such as for the 38 minute epic, Deep Water Suite. Says Morse, "Time To Fly, also came directly from one of the jam sessions, where we took one of Phil's ideas and all four of us elaborated on it.

Ravi Shankar has been described as one of the greatest musicians on the planet. This record, one of his classic World Pacific albums, clearly lends credence to that statement. But the thing that makes this record interesting is the fact that it contains a unique fusion of Shankar and his group performing with respected jazz flutist Paul Horn. It's an extremely gratifying combination, and Horn plays with a true jazzman's restraint on the five short selections that open the record. The second half is devoted to one long (20 minute) traditional raga, "Raga Multani," in which Shankar's awesome ability and stamina is matched only by that of his ensemble, especially Alla Rakha on tabla. Essential for any fan of Shankar or Indian music. Awesome.

R.E.M. abandoned the enigmatic post-punk experiments of Murmur for their second album, Reckoning, returning to their garage pop origins instead. Opening with the ringing "Harborcoat," Reckoning runs through a set of ten jangle pop songs that are different not only in sound but in style from the debut. Where Murmur was enigmatic in its sound, Reckoning is clear, which doesn't necessarily mean that the songs themselves are straightforward. Michael Stipe continues to sing powerful melodies without enunciating, but the band has a propulsive kick that makes the music vital and alive. And, if anything, the songwriting is more direct and memorable than before – the interweaving melodies of "Pretty Persuasion" and the country rocker "(Don't Go Back To) Rockville" are as affecting as the melancholic dirges of "Camera" and "Time After Time," while the ringing minor-key arpeggios of "So. Central Rain," the pulsating riffs of "7 Chinese Bros.," and the hard-rocking rhythms of "Little America" make the songs into classics. On the surface, Reckoning may not be as distinctive as Murmur, but the record's influence on underground American rock in the '80s was just as strong.

Morrissey is one of few iconic musicians making radical, counter-cultural work, and Harvest Records is proud to release his latest album on July 15th, 2014. World Peace Is None Of Your Business explores the tragedy of human apathy in our turbulent, modern era. Morrissey's career as a writer reaches new lyrical heights but maintains his signature humor, drama, and emotional longing. World Peace Is None Of Your Business was produced by Joe Chiccarelli at La Fabrique Studios in Saint-Rémy-de-Provence, France.

Scotland's great highland bagpipes are also known as the great highland war pipes and are often used as a call to battle in addition to their use in military and civil ceremonial ceremonies. 42 tracks in all from some the most popular bands in Scotland (and the world) such as The Auld Town Pipes, Queen's Own Highlanders, The Royal Hong Kong Police Band, and & Pipes of the Royal Tank Regiment, The Royal Irish Rangers, The Band & Pipes Of The Ghurkas and The Queen's Royal Irish Hussars.

Esteemed for almost 60 years as one of the greatest Chopin interpreters, Maurizio Pollini confirms his preeminence with this 2017 release on Deutsche Grammophon, and offers his first all-Chopin disc since 2012. Chopin's late works were composed between 1845 and 1849, and include the Barcarolle in F sharp major, Op. 60, the 3 Mazurkas, Op. 59, the Polonaise-Fantaisie in A flat major, Op. 61, the 2 Nocturnes, Op. 62, the 3 Mazurkas, Op. 63, the 3 Waltzes, Op. 64, and the Mazurka in F minor, Op. Posth. 68, No. 4; they are notable for their harmonic richness and freedom of melodic embellishment, characteristics that made them especially influential among his Romantic contemporaries. Pollini's fluid phrasing and control of expression and dynamics have always given his performances sophistication and a feeling of balance, though these are engaging renditions that are far from cerebral or clinical, claims that critics have sometimes laid at Pollini's door. Yet listeners can hear for themselves how polished and deeply felt these performances are, and appreciate the artistic wholeness of Pollini's conceptions, from the elegance of the "Minute" Waltz to the sublime melancholy of the posthumous Mazurka in F minor. Highly recommended for fans of great piano music.

The Way It Is is Bruce Hornsby and the Range's debut album, released in 1986. Led by its hit title track, the album went on to achieve multi-platinum status and helped the group to win the Grammy Award for Best New Artist.

Astrud Gilberto's entry in the nicely appointed Verve Jazz Masters compilation series shows exactly why the Brazilian singer is deserving of such an accolade. In her '60s heyday, Gilberto was often derided by jazz purists for her vibrato-less "desafinado" (deliberately slightly off-pitch) singing style and deadpan, childlike voice. But the diminutive bossa nova star has since been a huge influence on dozens of jazz and pop singers. VERVE JAZZ MASTERS is less of a greatest hits package than it is a smartly balanced retrospective of many of Gilberto's best performances. Her biggest hits, "Call Me" and "Summer Samba," are not included, and her signature tune, "The Girl From Ipanema," is only represented by a live take from a 1964 Carnegie Hall concert. The collection places equal emphasis on Gilberto's bossa nova-style interpretations of jazz standards and on her signature Portuguese-language sambas.

Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel." The Oxford Book of Traditional Verse felt as strongly, writing that Taylor was "one of the most literate and sensitive of contemporary songwriters in terms of words and music and one who is capable of exploring more complex subjects than most of his contemporaries."

Donald Smith "Don" Airey has been the keyboardist in the rock band Deep Purple since 2002, succeeding Jon Lord. He has had a long and productive career, playing with such acts as Gary Moore, Ozzy Osbourne, Judas Priest, Black Sabbath, Jethro Tull, Whitesnake, Saxon, Wishbone Ash, Steve Vai, Colosseum II, Ten, Sinner, Michael Schenker, Rainbow, Empire, Thin Lizzy, Brian May, Divlje jagode and Living Loud. He has also worked with Andrew Lloyd Webber. A Light In The Sky, is his second solo record. Airey has gathered together a different set of collaborators (though Laurence Cottle of Sting/Eric Clapton/Brian Eno/Bill Bruford fame once again contributes precision bass-playing), though naturally Don provides the record's central creative thrust an entertaining mixture of instrumental and vocal songs, from the Bladerunner-style Ripples In The Fabric Of Time to the hook-laden hard rock of Shooting Star.