Pál Németh, Capella Savaria - Carl Heinrich Graun: Der Tod Jesu (1992)
Pál Németh, Capella Savaria - Carl Heinrich Graun: Der Tod Jesu (1992)
EAC | FLAC | Image (Cue & Log) ~ 312 Mb | Total time: 78:32 | Scans included
Classical | Label: Harmonia Mundi | QUI 903061 | Recorded: 1991
EAC | FLAC | Image (Cue & Log) ~ 312 Mb | Total time: 78:32 | Scans included
Classical | Label: Harmonia Mundi | QUI 903061 | Recorded: 1991
Der Tod Jesu of Carl Heinrich Graun (1704–59), completed in 1755, was for decades the musical mainstay of Passiontide services (a position now held by Bach’s and St. John Passions), being performed by the Berlin Singakademie virtually every Good Friday until 1884. Unlike the passions of Bach, Schütz, and other predecessors, Graun’s work does not set any texts of Scripture. Instead, in line with burgeoning Enlightenment sensibilities, the entire libretto by Carl Wilhelm Ramler (1725–98) is written in the exalted style of impassioned poetic declamation common to opera libretti of the era, in supposed imitation of Greek tragedy. At less than half the length of the Bach passions, and musically far less complex, with dignified and attractive arias composed in a style somewhat akin to those of Handel’s Messiah , it remains winsome even today, and its enduring popularity is readily comprehended.
The present recording, made in 1992 and now reissued, makes a strong case for the work. The Capella Savaria, a period-instrument ensemble, and the accompanying chamber choir play and sing ingratiatingly, with buoyancy and a complete absence of any harshness, while the guiding hand of conductor Pál Németh displays a welcome lightness of touch that never rushes the tempi or slights the seriousness of the subject. Of the soloists, while the redoubtable Klaus Mertens is the only household name, all four possess pleasing voices, secure technique, a sure sense of style, and attentiveness to the text. The recorded sound is agreeable, though somewhat echo-laden in the miking of the soloists. A trilingual German-English-Hungarian libretto is provided, and all 25 musical numbers have individual tracks.–James A. Altena
Performer:
Mária Zádori, soprano
Márta Fers, soprano
Martin Klietmann, tenor
Klaus Mertens, baritone
Kammerchor Cantamus, Halle
Capella Savaria
Pál Németh, conductor
Tracklist:
Carl Heinrich Graun (1704-1759)
Der Tod Jesu
01. Choral: Du, dessen Augen flossen
02. Tutti: Sein Odem ist schwach
03. Recitativo: Gethsemane! Gethsemane!
04. Aria: Du Held, auf den die Köcher
05. Choral: Wen hab' ich sonst als dich allein
06. Recitativo: Auh, mein Immanuel!
07. Aria: Ein Gebet um neue Stärke
08. Recitativo: Nun klingen Waffen
09. Aria: Ihr weichgeschaffnen Seelen
10. Tutti: Unsere Seele ist gebeuget zu der Erden
11. Choral: Ich will von meiner Missethat
12. Recitativo: Jerusalem, vol Mordlust, ruft mit wildem Thon
13. Aria: So stehet ein Berg Gottes
14. Tutti: Christus hat uns ein Vorbild gelassen
15. Choral: Ich werde, dir zu Ehren, alles wagen
16. Recitativo: Da steht der traurige, verhängnisvolle Pfahl
17. Duetto: Feinde, die irh mich betrübt
18. Recitativo: Wer ist der heilige
19. Aria: Singt dem göttlichen Propheten
20. Tutti: Freuet euch alle, ihr Frommen
21. Choral: Wie herrlich ist die neue Welt
22. Recitativo: Auf einmal fällt der aufgehaltne Schmerz
23. Accompagnement: Es steigen Seraphim von allen Sternen nieder
24. Choral: Ihr Augen weint
25. Choral: Hier liegen wir
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 12. January 2021, 12:13
Carl Heinrich Graun / Der Tod Jesu (Kammerchor Cantamus, Halle & Capella Savaria feat. conductor: Pál Németh)
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Filename I:\Rips\Graun CH - Der Tod Jesu - Németh\Carl Heinrich Graun - Der Tod Jesu (Pál Németh).wav
Peak level 96.2 %
Extraction speed 7.5 X
Test CRC 36DF0ABD
Copy CRC C446EADD
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==== Log checksum C1D92BB2E898A117A0E6FCA0A83F916614E2B6299686D2E509690B8BB98E6404 ====
Pál Németh, Capella Savaria - Carl Heinrich Graun: Der Tod Jesu (1992)
Thanks to the original releaser