Ekaterina Levental - Medtner - Angel, Complete Songs, Vol. 3 (2021) [Official Digital Download 24/192]

Anybody who has entered into the cosmos of Medtner’s music, and especially of his songs, will be aware of its introvert, secretive, sometimes even hermetic character. His mixture of Russian and German philosophy and art, indebted to the bicultural upbringing in his family, was unique. Yet the outstanding quality of his songs does not lie in their stylistic singularity, but in their resistance to cliches of the genre and their musical and psychological insights.

Medtner digs deep into his chosen texts. Even his choice of the poet Lermontov for his first published song ('The Angel') is significant for a composer who always professed his belief in the divine nature of art and the artist’s vocation. Testifying to a similar artistic credo, Goethe’s poem ‘Geweihter Platz’ (‘The Sacred Grove’) was first set by Medtner as an introduction to the Sonata-Vocalise Op.41 No.1. He recomposed the song in his Op 46 set but then returned to it once more for this Suite-Vocalise, which opens with a wordless evocation of the lofty mood established by the poet. The finale alludes to Schumann (‘Was der Dichter spricht’) while returning to the rapt opening. The Suite-Vocalise as a whole is one of Medtner’s most experimental works, paying homage to an exemplary reflection about the sacred quality of art and the mysterious secrets of artistic inspiration.

The Pushkin songs Op.52, finished in summer 1929, are Medtner’s last authored song collection. The chosen poems focus on longing, unfulfilled love, or love connected to death and murder. His settings once more reach powerful heights of expression, both in his description of despair and torment and in his peculiar way of finding to hope and joy despite of all tragedy.

The original form of the Suite-Vocalise is counterpointed here by the Sonata-Idyll Op.56, which exemplifies Medtner’s late and distilled style of composition in contrast to the prodigious complexity of his earlier piano music. The album closes with three unpublished songs on religious subjects: a Prayer, an Epitaph and a Psalm.

TRACKLIST

1. Ekatarina Levental - The Angel, Op. 1 Bis
2. Ekatarina Levental - Suite-Vocalise, Op. 41 No. 2: I. Introduction & Song of the Nymphs
3. Ekatarina Levental - Suite-Vocalise, Op. 41 No. 2: II. Secrets
4. Ekatarina Levental - Suite-Vocalise, Op. 41 No. 2: III. Procession of the Graces
5. Ekatarina Levental - Suite-Vocalise, Op. 41 No. 2: IV. What the Poet Speaks
6. Ekatarina Levental - 7 Songs After Pushkin, Op. 52: I. The Window
7. Ekatarina Levental - 7 Songs After Pushkin, Op. 52: II. The Ravens
8. Ekatarina Levental - 7 Songs After Pushkin, Op. 52: III. Elegy
9. Ekatarina Levental - 7 Songs After Pushkin, Op. 52: IV. Visions
10. Ekatarina Levental - 7 Songs After Pushkin, Op. 52: V. Spanish Romance
11. Ekatarina Levental - 7 Songs After Pushkin, Op. 52: VI. Serenade
12. Ekatarina Levental - 7 Songs After Pushkin, Op. 52: VII. The Prisoner
13. Ekatarina Levental - Sonata-Idyll, Op. 56: I. Pastorale. Allegretto Cantabile
14. Ekatarina Levental - Sonata-Idyll, Op. 56: II. Allegro Moderato e Cantabile
15. Ekatarina Levental - 3 Unpublished Songs: I. Prayer
16. Ekatarina Levental - 3 Unpublished Songs: II. Epitaph, Op. 13a
17. Ekatarina Levental - 3 Unpublished Songs: III. Psalm



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