Sirkka-Liisa Kaakinen-Pilch, Battalia - Heinrich Ignaz Franz von Biber: Rosenkranz-Sonaten / Mystery Sonatas (2014)
Sirkka-Liisa Kaakinen-Pilch, Battalia - Heinrich Ignaz Franz von Biber: Rosenkranz-Sonaten / Mystery Sonatas (2014)
EAC | FLAC | Track (Cue & Log) ~ 640 Mb | Total time: 71:25+53:31 | Scans included
Classical | Label: Ondine | ODE12432D | Recorded: 2013
EAC | FLAC | Track (Cue & Log) ~ 640 Mb | Total time: 71:25+53:31 | Scans included
Classical | Label: Ondine | ODE12432D | Recorded: 2013
Since the earliest recordings of Biber’s Rosenkranz or Mystery Sonatas made during the 1960s, there has been ever-growing interest in these beautiful pieces and a wealth of recordings. In the dedication to his patron, Max Gandolph, Prince-Archbishop of Salzburg, Biber explained that the subject of each Sonata is a section from the Catholic devotion known as the Rosary. He arranged the 15 Sonatas, scored for violin and continuo, into equal groups of Joyful, Sorrowful and Glorious Mysteries, and concluded the cycle with an unaccompanied Passacaglia which provokes a meditative coda to the 15 central events in Christian history. This piece and the opening sonata of the set are alone in not requiring scordatura – that is, retuning of the violin strings which enables composers to achieve unconventional sounds as well as facilitating some fingerings.
Finnish violinist Sirkka-Liisa Kaakinen-Pilch provides us with a powerful account of Biber’s masterpiece, bringing nobility, exuberance, severity and a strong contemplative dimension as and when the music requires. There is also a lively depictive element which she realises with vivid but restrained gestures. The Scourging (No. 7) and The Crucifixion (No. 10) provide ample testimony of Kaakinen-Pilch’s imaginative approach. The continuo group, provided by Battalia, includes harpsichord, organ, lutes, guitar and violone, and their deployment is thoughtful. Here are performances which capture south German Baroque flamboyance on the one hand and a deeply reflective spirit on the other. Few readers are likely to be unresponsive to the Aria with Variations of Sonata No. 14 or the Passacaglia. Together they illustrate both sides of the coin. An outstanding release.–Nicholas Anderson
Performer:
Sirkka-Liisa Kaakinen-Pilch, violin
Battalia
Tracklist:
Heinrich Ignaz Franz von Biber (1644-1704)
CD1:
Sonata I D-Moll
01. Praeludium
02. Variatio - Aria Allegro - Variatio - Adagio - Finale
Sonata II A-Dur
03. Sonata - Presto
04. Allaman - Presto
Sonata III H-Moll
05. Sonata - Presto - Adagio
06. Courente - Double
07. Adagio
Sonata IV D-Moll
08. Ciacona
Sonata V A-Dur
09. Praeludium - Presto
10. Allaman
11. Guigue
12. Saraban - Double
Sonata VI C-Moll
13. Lamento
14. –-
15. Adagio
Sonata VII F-Dur
16. Allamanda - Variatio
17. Saraban - Variatio
Sonata VIII B-Dur
18. Sonata (Adagio) - Presto
19. Guigue - Double (Presto) - Double 2
Sonata IX A-Moll
20. Sonata
21. Courente - Double
22. Finale
Sonata X G-Moll
23. Praeludium
24. Aria - Variatio
CD2:
Sonata XI G-Dur
01. Sonata
02. Surrexit Christus Hodie
03. Adagio
Sonata XII C-Dur
04. Intrada
05. Aria Tubicinum
06. Allamanda
07. Courente - Double
Sonata XIII D-Moll
08. Sonata
09. Gauott
10. Guigue
11. Sarabanda
Sonata XIV D-Dur
12. –-
13. Aria - Guigue
Sonata XV C-Dur
14. Sonata
15. Aria
16. Canzon
17. Sarabanda
Sonata XVI G-Moll
18. Passagalia
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 31. March 2020, 18:59
Sirkka-Liisa Kaakinen-Pilch / Biber - Rosenkranz-Sonaten (Mystery Sonatas) (Disc 1)
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==== Log checksum E5E86D6785AB7942D2969E669427ACDFBAA917EBCBBC8F95516A6547097C74A3 ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 31. March 2020, 19:32
Sirkka-Liisa Kaakinen-Pilch / Biber - Rosenkranz-Sonaten (Mystery Sonatas) (Disc 2)
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==== Log checksum 1460E7E881AA126F7743BB836657CB4DC80F495AA005406B06B0F438FFAF089B ====
Sirkka-Liisa Kaakinen-Pilch, Battalia - Heinrich Ignaz Franz von Biber: Rosenkranz-Sonaten / Mystery Sonatas (2014)
Thanks to the original releaser