Christian Gerhaher, Rosamunde Quartett - Othmar Schoeck: Notturno (2009)
EAC | FLAC | Image (Cue&Log) ~ 179 Mb | Mp3 (CBR320) ~ 105 Mb | Scans included
Classical, Vocal | Label: ECM | # ECM New Series 2061, 476 6995 | 00:42:55
EAC | FLAC | Image (Cue&Log) ~ 179 Mb | Mp3 (CBR320) ~ 105 Mb | Scans included
Classical, Vocal | Label: ECM | # ECM New Series 2061, 476 6995 | 00:42:55
Although being generally acknowledged as one of the leading composers of his native Switzerland, Othmar Schoeck (1886–1957) has never acquired a stable reputation outside the German-speaking world. This is partly due to his strong focus on the sung word: His output comprises eight operas, some 400 songs and a couple of smaller works for instrumental forces. Moreover, Schoeck’s essentially late-romantic style was considered démodé after the second world war when the avant-garde was arguing for a more rational and emotionally restricted approach to composition. One of his most personal works is the “Notturno” for baritone voice and string quartet. Written between 1931 and 1933 it served as a personal confession after an unhappy extra-marital love affair. Its five movements set verses by German 19th-century-poet Nikolaus Lenau and by the great Swiss writer Gottfried Keller. The highly differentiated interpretation by baritone Christian Gerhaher – one of the most distinguished young German “Lied” singers and a former disciple of Dietrich Fischer-Dieskau – and the Rosamunde Quartett offers a strong plea for Schoeck’s expressive music and sheds an exciting light on his artistic preoccupation with the dark abysses of human existence.
Swiss composer Othmar Schoeck has received a bad and undeserved reputation on many fronts he didn't deserve. As his output is heavily invested in ambitious German-language song settings and cycles of various kinds – what Dr. Seuss may have had in mind when he poked fun at a "long, long song" in his book Hop on Pop – a great deal of it doesn't travel well. Conventional wisdom also dictated that Schoeck was a conservative post-romantic composer whose language never entered the modern era even though he lived until 1957. Once faced with Schoeck's actual music, though, you realize this depends on what you think is "modern," and to that end musicians have come a long way since the days of the 1970s when adherence to the ideals of the Second Vienna School was considered a requirement. A lot of what we love best about their music is what is found in the profound seriousness and mystery of Arnold Schoenberg's Second String Quartet, Alban Berg's Wozzeck and Lyric Suite, and Webern's early songs and his Five Movements for String Quartet, Op. 5. Although he does not employ structural systems that are least discernable and stylistically and Schoeck is clearly a different voice from the foregoing, his Notturno (1933) belongs to that world. It is highly chromatic, intense, and charged with the same expressionist idiom and sense of the enigmatic that we know from the Schoenberg school. It has been only recorded twice before, and arguably never better than on this ECM New Series disc featuring baritone Christian Gerhaher and the Rosamunde Quartett. Christian Gerhaher sings this long and difficult work exactly the way it should go; he never barks it out or makes recourse to the heavy vibrato germane to Wagnerian opera, but makes sparing use of vibrato to bring out the best mood of the text. The quartet, too, handles the slippery and complex chromatics of Schoeck's music with authority and tenderness; it has clearly studied every twist and turn in this score and seamlessly negotiates it all.
This particular project is a labor of love of Heinz Holliger, who admits in his brief booklet note that at one time he, too, felt that Schoeck was a relic of the past. Nothing replaces the act of discovery, and Schoeck is a major one; if you love the expressionist sound of the early twentieth century, then you won't want to miss this. As Holliger stated, "May this be the moment of Schoeck's rediscovery"; indeed, this disc makes it seem like it's his turn and a lot worse could happen to music than for Schoeck to finally step out of the shadows. It's a little short at 48 minutes, but the Notturno is such a complete musical experience in itself that you won't go away feeling like you need more.Review by Uncle Dave Lewis, Allmusic.com
Of the current crop of German baritones, Christian Gerhaher seems the most likely to come anywhere near the great Dietrich Fischer-Dieskau in the range and perception of his performances. Here he takes up a Swiss composer whose songs Fischer-Dieskau championed. Composed in 1931, Othmar Schoeck's Notturno for baritone and string quartet belongs to the period of his greatest song cycles, when his music came closest stylistically to that of the Second Viennese School. There are many passages in these settings of nine poems by Nikolaus Lenau (with the final addition of a fragment by Gottfried Keller) that recall the chromatic world of early Schoenberg, as well as Berg's Lyric Suite. The mood of the five movements is bleakly introspective, though there is some kind of resolution in the final diatonic chaconne. If they cannot quite match the intensity of Fischer-Dieskau's hard-to-find recording, nevertheless Gerhaher and the Rosamunde Quartet project this remarkable work superbly. It would be good to think this might be the start of a Schoeck series from this outstanding young singer.Review by Andrew Clements, The Guardian
Christian Gerhaher (baritone)
Rosamunde Quartett:
Andreas Reiner (violin)
Diane Pascal (violin)
Helmut Nicolai (viola)
Anja Lechner (cello)
Recorded December 2007
Historischer Reitstadel, Neumarkt
Tracklist:
Notturno (1931-33)
Five movements for string quartet and voice on poems by Nikolaus Lenau
and a fragment by Gottfried Keller, Op.47
1. I. Ruhig (17:35)
2. II. Presto (2:55)
3. III. Unruhig Bewegt (8:43)
4. IV. Ruhig Und Leise (2:36)
5. V. Rasch Und Kräftig (Quasi Recit.) (11:03)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 29. September 2017, 21:57
Christian Gerhaher, Rosamunde Quartett / Othmar Schoeck - Notturno
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EAC extraction logfile from 29. September 2017, 21:57
Christian Gerhaher, Rosamunde Quartett / Othmar Schoeck - Notturno
Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 17:35.59 | 0 | 79183
2 | 17:35.59 | 2:55.16 | 79184 | 92324
3 | 20:31.00 | 8:43.35 | 92325 | 131584
4 | 29:14.35 | 2:36.62 | 131585 | 143346
5 | 31:51.22 | 11:03.70 | 143347 | 193141
Range status and errors
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Filename C:\temp\Schoeck - Notturno\Schoeck - Notturno.wav
Peak level 100.0 %
Extraction speed 3.3 X
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Test CRC 3ECC00E1
Copy CRC 3ECC00E1
Copy OK
No errors occurred
AccurateRip summary
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Track 2 accurately ripped (confidence 16) [71B25F04] (AR v2)
Track 3 accurately ripped (confidence 15) [E4B36F0C] (AR v2)
Track 4 accurately ripped (confidence 16) [71CE23BA] (AR v2)
Track 5 accurately ripped (confidence 14) [2BBB77B0] (AR v2)
All tracks accurately ripped
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==== Log checksum 8C96AD2ED72703F52E776115D146D48B172330A39BDBDB6D57078FB0BC50DEDD ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-10-05 03:12:11
––––––––––––––––––––––––––––––––––––––––
Analyzed: Christian Gerhaher, Rosamunde Quartett / Othmar Schoeck - Notturno
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DR Peak RMS Duration Track
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DR16 -3.60 dB -24.76 dB 17:36 01-I. Ruhig
DR17 0.00 dB -25.33 dB 2:55 02-II. Presto
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DR12 -7.84 dB -29.44 dB 2:37 04-IV. Ruhig und leise
DR19 0.00 dB -25.14 dB 11:04 05-V. Rasch und kraftig (quasi Recit.)
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Bitrate: 560 kbps
Codec: FLAC
================================================================================
log date: 2017-10-05 03:12:11
––––––––––––––––––––––––––––––––––––––––
Analyzed: Christian Gerhaher, Rosamunde Quartett / Othmar Schoeck - Notturno
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -3.60 dB -24.76 dB 17:36 01-I. Ruhig
DR17 0.00 dB -25.33 dB 2:55 02-II. Presto
DR16 0.00 dB -20.88 dB 8:43 03-III. Unruhig bewegt
DR12 -7.84 dB -29.44 dB 2:37 04-IV. Ruhig und leise
DR19 0.00 dB -25.14 dB 11:04 05-V. Rasch und kraftig (quasi Recit.)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 5
Official DR value: DR16
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 560 kbps
Codec: FLAC
================================================================================