Il lavoro forse più lungo del regista Giuseppe Tornatore è un film inesistente. Circa cinque anni in viaggi, indagini, ricerche d'archivio, incontri, interviste con testimoni, dietro alla pellicola da girare. Leningrado è la storia di una violoncellista e dei suoi figli e familiari durante l'assedio della città di Pietro il Grande da parte dei tedeschi nella Seconda guerra mondiale. Un film epico che attraverso il tragico individuale avrebbe messo in scena gli orribili 900 giorni dell'assalto nazista a Leningrado, per fissarli nel ricordo che ancora non le viene riconosciuto.

This six CD box - the first serious, multi-disc reappraisal of Chapin's work - presents the nine albums he issued from 1972 to 1978: Heads And Tales, Sniper And Other Love Songs, Short Stories, Verities And Balderdash, Portrait Gallery, Greatest Stories Live, On The Road To Kingdom Come, Dance Band On The Titanic, and Living Room Suite. After Elektra, Chapin signed with Boardwalk for a final album before dying tragically and prematurely in a car accident in 1981. With 4000-word notes, placing Chapin's career in context, and arguing for his elevation in the cultural hierarchy, by Record Collector contributor, Charles Donovan. Acoustic guitarist and singer/songwriter, Harry Chapin, who was born in New York, was a pioneer of the elaborate story-song, a style whose roots lay in folk and country music.

Plastic Penny were a British group who made the U.K. Top Ten in early 1968 with "Everything I Am," a labored ballad augmented by strings, that wasn't even one of their best songs. Much of their material was psychedelic pop with hints of encroaching prog-rock, sometimes recalling the Who a bit, elsewhere going into more fey story-songs. Their guitarist, Mick Grabham, would play with Procol Harum between 1973-1977.